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Book Title: Dead Certainties: Unwarranted Speculations|
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Reader ratings: 6.9
The author of the book: Simon Schama
Date of issue: April 30th 1991
ISBN 13: 9780679402138
Format files: PDF
The size of the: 345 KB
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In retrospect I'm surprised I'd never heard of this odd pseudo history, or historical criticism, or what have you, by renowned historian Simon Schama, having been a long time fan and also enjoying these sort of exercises. The peculiar narrative structure revolves around (I am simplifying the matter significantly) short pieces of fiction recounting 1) the death of Wolfe at the gates of Quebec, as well as the veneration which followed and 2) the murder of a relative of a renowned historian of the French and Indian War, and the trial which followed that relative's death. The meta-joke is that Schama, whose books Citizens, about the French Revolution, and The Embarrassment of Riches, a cultural history of the Dutch Golden age, are broadly regarded as masterpieces, is calling into question the reliability of any historical narrative as being dependent upon the perspective of the individuals involved. I confess that, with all the respect that I have towards the man, this does not strike me as an altogether devastatingly clever commentary, though it deserves being said that apparently it went over the head of many of its initial critics, who reviewed the works as non fiction though it is obviously not so. What this leaves is, basically, some very well written bits of historical fiction by one of the great historians of the age (am I overselling that? I'm not sure I feel qualified to say either way). I enjoyed it, though if you put a gun to my head and said, tell me what Simon Schama book I should read, I wouldn't say this one. Also, quit holding a gun to people, what the heck is wrong with you. Gosh.
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Read information about the authorSimon Schama was born in 1945. The son of a textile merchant with Lithuanian and Turkish grandparents, he spent his early years in Leigh-on-Sea in Essex. When his parents moved to London he won a scholarship to Haberdashers’ Aske’s School where his two great loves were English and History. Forced to choose between the two he opted to read history at Christ’s College, Cambridge. Here he was taught by Sir John Plumb whose other students: Linda Colley, Roy Porter and John Brewer are now central to British historical thought. It was Plumb’s influence which instilled in him the importance of narrative and written style in order to gain an audience for history outside academia. One of the hallmarks of Schama’s work is his flair for description: ‘he gets arcane matters to walk, in fact dance, off the page’ according to fellow historian Peter Hennessy. However, his approach is contentious and invites criticism of subjectivity and populism from academic circles. Schama remained at Christ’s for 10 years after his degree, becoming a fellow and then director of Studies, before moving to Brasenose College Oxford. While at Oxford he wrote Patriots and Liberators: Revolution in the Netherlands 1780-1813 (1977), which won the Wolfson Literary Award, and Two Rothschilds and the Land of Israel (1979). At Oxford he met his wife, Ginny Papaioannou a geneticist from California.
Tired of the Oxford system (he once described his experience as being ‘like a gerbil on a treadmill’) and enticed by the freedom of US Academic life, he moved to America in 1980, becoming Professor of History at Harvard. Here he wrote The Embarrassment of Riches: An Interpretation of Dutch Culture in the Golden Age (1987), Citizens: A Chronicle of the French Revolution (1989) and Dead Certainties (Unwarranted Speculations) (1991): an a unusual linking of the death of General Wolfe at Quebec in 1759 and the murder of a doctor, George Parkman, by a Harvard Professor in 1849. Citizens, which was written at lightening speed: 900 pages in only 18 months, won the 1990 NCR Book Award. However, Schama’s emphasis on the terror and violence of the revolution and his argument, that from its beginning it was a ‘sacrament of blood’, ensured it has never found a publisher in France. He is now professor in history and art history at Columbia where he has written Landscape and Memory (1996) which received the W H Smith Literary Award and Rembrandt’s Eyes (1999). The latter is a controversial reassessment of the artist which attempts to reinstate the notion of Rembrandt the genius, aiming to invoke the atmosphere as well as the historical context. In Schama’s view, as he tells David D’Arcy in Art Newspaper ‘There are some passages of sublime reinvention for which history has absolutely no answers…it seems to me pointless and trivial to pretend that it does.’
Simon Schama has also worked for the BBC on a 16 part series: ‘A History of Britain’ and has been an art critic and cultural essayist for The New Yorker and Talk magazine. He lives in New York with his wife and their two children Chloe and Gabriel.
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