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Book Title: The Rover and Other Plays|
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The author of the book: Aphra Behn
Edition: Oxford University Press
Date of issue: May 18th 2000
ISBN 13: 9780192834515
Format files: PDF
The size of the: 552 KB
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Aphra Behn (1640-89) was both successful and controversial in her own lifetime; her achievements are now recognized less equivocally and her plays, often revived, demonstrate wit, compassion and remarkable range. This edition brings together her most important comedies in a single volume: The Rover, her best-known play; The Feigned Courtesans, a lively comedy of intrigue; The Lucky Chance, a comedy with a bitter edge, which takes a satirical look at marriage customs; and the dazzling and popular farce, The Emperor of the Moon. All the plays have been newly edited and are presented with modernized spelling and punctuation.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
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Read information about the authorAphra Behn was a prolific dramatist of the English Restoration and was one of the first English professional female writers. Her writing contributed to the amatory fiction genre of British literature. Along with Delarivier Manley and Eliza Haywood, she is sometimes referred to as part of "The fair triumvirate of wit."
In author Virginia Woolf's reckoning, Behn's total career is more important than any particular work it produced. Woolf wrote, "All women together, ought to let flowers fall upon the grave of Aphra Behn... for it was she who earned them the right to speak their minds." Vita Sackville-West called Behn 'an inhabitant of Grub Street with the best of them, ... a phenomenon never seen and ... furiously resented.' She was, as Felix Shelling said, 'a very gifted woman, compelled to write for bread in an age in which literature ... catered habitually to the lowest and most depraved of human inclinations. Her success depended upon her ability to write like a man.' ... She was, as Edmund Gosse remarked, 'the George Sand of the Restoration,' and she lived the Bohemian life in London in the seventeenth century as George Sand lived it in Paris in the nineteenth.
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